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Rush [Blu-Ray]
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Contributeur | Special K. McCray, Gregg Allman, Jennifer Jason Leigh, Lili Fini Zanuck, Sam Elliott, William Sadler, Jason Patric, Tony Frank, Max Perlich Voir plus |
Langue | Français, Anglais, Anglais |
Durée d’exécution | 2 heures |
Nombre de disques | 1 |
Fabricant | MDC Films |
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Description du produit
Boîtier avec étui
Détails sur le produit
- Rapport de forme : 1.85:1
- Classé : 16 ans et plus
- Dimensions du colis : 17,3 x 13,7 x 1,7 cm; 110 grammes
- Réalisateur : Lili Fini Zanuck
- Durée : 2 heures
- Date de sortie : 13 septembre 2023
- Acteurs : Jason Patric, Jennifer Jason Leigh, Sam Elliott, Max Perlich, Gregg Allman
- Sous-titres : : Français
- Langue : Anglais (DTS-HD 5.1), Anglais (DTS-HD 2.0), Français (DTS-HD 2.0)
- Studio : MDC Films
- ASIN : B0CCSMVRS9
- Pays d'origine : France
- Nombre de disques : 1
- Classement des meilleures ventes d'Amazon : 33 657 en DVD et Blu-ray (Voir les 100 premiers en DVD et Blu-ray)
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- Commentaires client :
Commentaires client
- 5 étoiles4 étoiles3 étoiles2 étoiles1 étoile5 étoiles81%11%3%2%3%81%
- 5 étoiles4 étoiles3 étoiles2 étoiles1 étoile4 étoiles81%11%3%2%3%11%
- 5 étoiles4 étoiles3 étoiles2 étoiles1 étoile3 étoiles81%11%3%2%3%3%
- 5 étoiles4 étoiles3 étoiles2 étoiles1 étoile2 étoiles81%11%3%2%3%2%
- 5 étoiles4 étoiles3 étoiles2 étoiles1 étoile1 étoile81%11%3%2%3%3%
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Meilleures évaluations de France
Un problème est survenu lors du filtrage des avis. Rafraîchissez la page.
- Avis laissé en France le 7 juin 2025Merci aux petits éditeurs tels que MDC de faire l'effort sur des titres rares.
Très bonne qualité image et Son.
- Avis laissé en France le 12 avril 2024Good morning. Sorry, but I just received this article, and it is indeed intended for zone B. It is therefore readable on European readers. Yours truly.
- Avis laissé en France le 11 janvier 2024Très bon film [1991] avec Jason Patric , restauration HD impeccable , édition simpa avec fourreau 👌
je recommande👍
Très bon film [1991] avec Jason Patric , restauration HD impeccable , édition simpa avec fourreau 👌
je recommande👍
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- Avis laissé en France le 9 novembre 2016The blu-ray was supposed to be "English import" but it's actually American import and does not play in European blu-ray players.
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H. P.Avis laissé aux États-Unis le 15 août 2018
5,0 sur 5 étoiles Rush shows us the jagged edges of working class, 1970s Texas
I love 70s movies. This is a topic I will return to. The most relevant reason for my love of 70s cinema is that it was the last time Hollywood dealt regularly and evenly with the rural working class. Rush was made in 1991, but it is a 70s movie in more than setting. And it is a period piece that doesn’t commit the usual sin of getting cutesy and clever about it.
Rush takes place in 1975. Rush is based on a largely autobiographical novel inspired by Kim Wozencraft’s stint as a narc in Tyler, Texas, but the movie is set in an undisclosed location that is probably somewhere on the Gulf coast between Houston and Corpus.
Kristen Cates, played by Jennifer Jason Leigh, is a rookie narcotics officer is paired up with veteran officer Jim Raynor, played by Jason Patric. Jim isn’t old, but after going for early-career Jim Morrison in The Lost Boys, Jason Patric goes for late-career Jim Morrison here, and like late-career Jim Morrison, Jim Raynor wears his years heavy.
Rush opens with a really beautiful long take tracking shot that isn’t super long but is impressive as it follows Kristen and Jim’s primary nemesis, Will Gaines, as he walks through his very crowed dance hall, the camera lingering and sweeping across patrons in turn. Will Gaines, by the way, is played by none other than Greg Allman. The director won’t hardly let him talk, probably because she didn’t trust Allman’s acting chops, but Allman just standing around glowering and shaking his head makes for a pretty menacing villain.
From there we shift to Jim and his supervisor, Dodd, played by the inestimable Sam Elliott (elevating the whole damn thing, even in a supporting part), standing by the track where police academy graduates are training. They are casually talking about whose life to ruin. Jim picks out Kristen. Dodd thinks he wants to screw her. Jim wants to screw her. But she’s got an edge to her. It isn’t clear whether Jim thinks that makes her suited for the line of work or an acceptable sacrifice.
Rush really thrives in digging into the mid-70s—War on Drugs freshly declared, the violent crime rate still spiking, the hippies disillusioned, and the country boys said F it and grew out their hair and beard.
It is a beautiful, ugly picture of working class 70s Texas. Everybody is just trying to work hard and blow off a little steam, but rub a bit and you’ll see the jagged edges. It ain’t all buying speed off of cocktail waitresses and friendly construction worker-car thieves. Rush revels in a series of encounters with greasy, seedy drug dealers. Jim and Kristen’s attempts to police drugs inevitably wind up with what we see Archie Bunker (in a different context) call “A little too much of each, and not enough of either.” Jim most of all.
They hired Eric Clapton to do the soundtrack for the movie, and the music is perfect from the house band to the atmospheric guitar riffs (admittedly laid on a bit thick, but you won’t catch me complaining).
But what I really love about Rush is an endgame that is very hillbilly.
H. P.Rush shows us the jagged edges of working class, 1970s Texas
Avis laissé aux États-Unis le 15 août 2018
Rush takes place in 1975. Rush is based on a largely autobiographical novel inspired by Kim Wozencraft’s stint as a narc in Tyler, Texas, but the movie is set in an undisclosed location that is probably somewhere on the Gulf coast between Houston and Corpus.
Kristen Cates, played by Jennifer Jason Leigh, is a rookie narcotics officer is paired up with veteran officer Jim Raynor, played by Jason Patric. Jim isn’t old, but after going for early-career Jim Morrison in The Lost Boys, Jason Patric goes for late-career Jim Morrison here, and like late-career Jim Morrison, Jim Raynor wears his years heavy.
Rush opens with a really beautiful long take tracking shot that isn’t super long but is impressive as it follows Kristen and Jim’s primary nemesis, Will Gaines, as he walks through his very crowed dance hall, the camera lingering and sweeping across patrons in turn. Will Gaines, by the way, is played by none other than Greg Allman. The director won’t hardly let him talk, probably because she didn’t trust Allman’s acting chops, but Allman just standing around glowering and shaking his head makes for a pretty menacing villain.
From there we shift to Jim and his supervisor, Dodd, played by the inestimable Sam Elliott (elevating the whole damn thing, even in a supporting part), standing by the track where police academy graduates are training. They are casually talking about whose life to ruin. Jim picks out Kristen. Dodd thinks he wants to screw her. Jim wants to screw her. But she’s got an edge to her. It isn’t clear whether Jim thinks that makes her suited for the line of work or an acceptable sacrifice.
Rush really thrives in digging into the mid-70s—War on Drugs freshly declared, the violent crime rate still spiking, the hippies disillusioned, and the country boys said F it and grew out their hair and beard.
It is a beautiful, ugly picture of working class 70s Texas. Everybody is just trying to work hard and blow off a little steam, but rub a bit and you’ll see the jagged edges. It ain’t all buying speed off of cocktail waitresses and friendly construction worker-car thieves. Rush revels in a series of encounters with greasy, seedy drug dealers. Jim and Kristen’s attempts to police drugs inevitably wind up with what we see Archie Bunker (in a different context) call “A little too much of each, and not enough of either.” Jim most of all.
They hired Eric Clapton to do the soundtrack for the movie, and the music is perfect from the house band to the atmospheric guitar riffs (admittedly laid on a bit thick, but you won’t catch me complaining).
But what I really love about Rush is an endgame that is very hillbilly.
Images dans cette revue
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IanAvis laissé au Royaume-Uni le 7 avril 2024
5,0 sur 5 étoiles Great cop movie
Great cop movie based around undercover narcotics not a regular area for cop movies. Made in the 90s its well acted with a good story and a few if maybe obvious twists. Only down side only available as region 1 so only buy if you have a multiregional player so its expensive but well worth the investment to add to any collection.
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David LAvis laissé au Canada le 17 octobre 2019
5,0 sur 5 étoiles Fantastic! Shows the dangers of being an honest officer/narcotics agent!
One of MY personal favorite movies!....yet hardly EVER see on LATE night TV, but sends a LESSON as well as shows the range in acting from Jason (Lost Boys)Patric, And Jennifer Jason(Fast Times At (Ridgemont High)) Liegh(sp?..on both), great Supporting all star cast too! ie Can go on forever On details!
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Enrique Rodriguez PalaciosAvis laissé au Mexique le 14 février 2021
5,0 sur 5 étoiles La mejor!
Una película sensacional, verdaderamente de lo mejor que he visto en los últimos 20 años
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MichelAvis laissé au Canada le 11 juillet 2021
5,0 sur 5 étoiles Love KL STUDIO CLASSICS!
Love KL STUDIO CLASSICS, they've brought out movies that i lived on Bluray (finally).
Great movie, great product!