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Machine Gun [Blu-ray]

4,3 sur 5 étoiles 1 140 évaluations
IMDb6.7/10.0

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Genre Action
Format Couleur, Cinémascope
Contributeur Michelle Monaghan, Kathy Baker, Madeline Carroll, Michael Shannon, Ryann Campos, Gerard Butler, Marc Forster Voir plus
Langue Anglais, Français
Durée d’exécution 2 heures et 9 minutes
Studio METROPOLITAN FILMEXPORT
Sous-titre français
Nombre de disques 1
Fabricant Metropolitan Film & Video

Description du produit

Machine Gun [Blu-Ray]

Détails sur le produit

  • Rapport de forme ‏ : ‎ 2.35:1
  • Classé ‏ : ‎ Tous publics
  • Dimensions du colis ‏ : ‎ 18,03 x 13,76 x 1,48 cm; 200 grammes
  • Réalisateur ‏ : ‎ Marc Forster
  • Format ‏ : ‎ Cinémascope, Couleur
  • Durée ‏ : ‎ 2 heures et 9 minutes
  • Date de sortie ‏ : ‎ 2 janvier 2013
  • Acteurs ‏ : ‎ Gerard Butler, Michelle Monaghan, Kathy Baker, Michael Shannon, Ryann Campos
  • Sous-titres : ‏ : ‎ Français
  • Langue ‏ : ‎ Anglais (DTS-HD 5.1), Français (DTS-HD 5.1)
  • Studio  ‏ : ‎ Metropolitan Film & Video
  • ASIN ‏ : ‎ B009LQ2KI4
  • Pays d'origine ‏ : ‎ France
  • Nombre de disques ‏ : ‎ 1
  • Commentaires client :
    4,3 sur 5 étoiles 1 140 évaluations

Commentaires client

4,3 étoiles sur 5
1 140 évaluations globales

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  • Lodetti Angelo
    5,0 sur 5 étoiles Uno strano ma eccezionale Reverendo
    Avis laissé en Italie le 4 juillet 2014
    La storia di un uomo che si converte in modo autentico al cristianesimo. Un passaggio netto dalle tenebre della droga e dello spaccio ad una vita nuova in Cristo. Dio mette nel suo cuore di salvare con un progetto in Sudan, i bambini soldato, vittime di soprusi da parte del LRA, un esercito di ribelli. Il suo coraggio,la sua fede,la sua determinazione,gli permettono di costruire una chiesa ed un orfanotrofio, salvando migliaia di bambini da questi terroristi in un modo inusuale per un predicatore. Egli stesso cita il filosofo E. Burke il quale disse : " il male avanza perché i buoni non fanno nulla " . Eccezionale,da vedere,indimenticabile.
    Signaler
  • Mrs. H. Freeman
    5,0 sur 5 étoiles ... be able to stop thinking about it for a good few hours after you've seen it
    Avis laissé au Royaume-Uni le 11 septembre 2014
    This film is so full of emotions you won't be able to stop thinking about it for a good few hours after you've seen it. I brought this film, not knowing who Sam Childers was, and because I admire Gerard Butler. This film shows you a charcter at his worst, and his best. There are people who feel the real Sam Childers walked into a situation he shouldn't have, their are others who believe he really has saved so many, and continues to do so. I think the transformation of the character in this film is astonishing and I cried throughout this film at Gerard Butlers portayal of Sam Childers.

    This is not a film you watch just to stare at Gerard Butler for 2 hours. This is a film that says yes this is based on a real person and their real actions. It wakes you up to the real world and the horrific things that have happened and still do happen in Africa and other areas of the world, and you cannot believe the cruelty and suffering that some people face on a daily basis. The film shows some of these horrors, but without being too horrible to watch, but they are shown with enough strength to make you realise that the situations were not easy to stomach.

    When Gerard Butler - playing Sam Childers, decides to help the situation in Sudan, I was amazed at the strength he had whilst facing the horrors of war in Africa, and the suffering. HIs ability to provide help to so many was truly moving. The children stole this film, and I thought they were all amazing.

    My only personal upset was I felt that Sam did seem to "Forget" his wife and child in America, and instead became so thrown into "Helping" that he seemed to let go of his family and that made me sad for them. I felt his wife and daugther were left to get on with things whilst he went back to help in Africa. Obviously Sam didn't want his family to be put into danger, or to let them see how things were in Sudan, but he left them too much for my liking.

    This film probably didn't get the publicity it deserves because of the subject matter it contains. It's not a rom com, or super hero movie, its a portrayal of real events and people. Gerard Butler was superb, as were the other cast members. I very moving film, and although difficult to watch in places I am so glad I have seen this film. I hope you enjoy it too.
  • jordina
    5,0 sur 5 étoiles Unlostable!
    Avis laissé en Espagne le 16 mai 2015
    Good image about the conflict in Sudan and the atrocities against the children. . Great film, great metssage great Butler!
  • Zahlenakrobat67
    5,0 sur 5 étoiles Anspruchsvolles Drama über den täglichen Krieg in Afrika
    Avis laissé en Allemagne le 8 janvier 2015
    Plakativ schreit das Cover den Titel "Machine Gun Preacher" heraus, fügt jedoch unten darunter an, daß es sich um eine wahre Geschichte handelt. Wer wie ich den Namen Sam Childers bisher nicht gekannt hat, der sei darauf hingewiesen, daß dies der Name ist, unter dem der Mann im Sudan bekannt ist. Das heißt aber nicht, daß der Mann nur mit einem Maschinengewehr herumläuft und in Rambo Manier seine Gegner niedermetzelt, sondern vielmehr bereit ist seine Schützlinge (Kinder) unter Einsatz seines Lebens auch mit dem Gewehr zu verteidigen.
    Bereits in der Eingangssequenz geht Regisseur Marc Forster (hat übrigens auch den Bond Streifen "Ein Quantum Trost" gedreht) auf die tägliche grausame Realität des Sudan ein, als Soldaten eines Warlords die Bewohner eines Dorfes in der Nacht angreifen, die Erwachsenen grausam töten, oder aber Kinder zwingen Ihre eigene Mutter zu töten um "qualifiziert" zu sein, als neue Rekruten im Krieg "mitzuspielen".
    Danach erfolgt erst einmal ein Schnitt und zeigt den verbrecherischen Biker Sam Childers, der gerade aus dem Knast entlassen, sofort wieder da weitermacht, weswegen er in den Knast gekommen ist. Quälend und in abgrundtiefen Bildern wird das bisherige Tun Childers gezeigt, bis er an dem Punkt angelangt, da er nicht mehr weiter kann und seine Frau um Unterstützung bittet. Diese führt Ihn in eine christliche Gemeinde ein, wo er anfängt Halt zu finden. Basierend auf einem Bericht eines Missionars aus dem Sudan entschließt Childers sich für ein paar Wochen dort hinzugehen und zu helfen. Doch je länger er vor Ort ist, desto mehr erkennt er die Notwendigkeit seiner Hilfe. Mehr und mehr verfällt er seiner Überzeugung und radikalisiert sich in seinem Tun. Schließlich unterscheidet er sich in den Mitteln gar nicht mehr so stark von seinen Feinden, doch aus Childers Sicht kann man Feuer nur mit Feuer bekämpfen.
    Natürlich ist der Film kein normales Biopic, sondern muß seine Geschichte so erzählen, daß es genügend Kinobesucher und Käufer der DVD/Blu-Ray gibt, damit die Investitionen für diesen Film wieder eingespielt werden.
    Geschickt erzählt Marc Forster seine Geschichte eines Saulus, der bereits zum Paulus bekehrt, seine Berufung findet. Filmtechnisch vielleicht etwas kurz und überraschend schnell dargestellt, ist die Wandlung dennoch nachvollziehbar. Die unterschiedlichen Standpunkte der Missionierung werden durch eine Leiterin einer Hilfsorganisation, die bedingungslos den Gewaltverzicht fordert, und Sam Childers, der bereit ist seine Schutzbefohlenen mit einem Maschinen Gewehr zu verteidigen, dargestellt. Es ist müßig, an dieser Stelle Glaubenseinstellungen zu diskutieren, da es sich um eine Film/Produktrezension handelt.
    Für mich ist Machine Gun Preacher ein handwerklich gut gemachter Film, der sehr stark von der guten schauspielerischen Leistung von Gerard Butler lebt. Natürlich wird man mit christlichen Prinzipien konfrontiert, welche aber nicht mit dem Holzhammer reingedroschen werden, sondern über den Verlauf der Story sachlich dargestellt werden.
    Die Blu-Ray ist qualitativ sehr hochwertig und läßt kaum Kritik zu. Das HD Bild ist glasklar und auch der Ton ist sowohl in Deutsch als auch in Englisch in DTS HD 5.1. Untertitel sind in Deutsch vorhanden. Persönlich hätte ich mir eine Doku über den echten Sam Childers in den Extras gewünscht, jedoch gibt es Interviews mit Cast und Crew, making the Music, Musikvideo und Trailer. Alles in allem eine gelungene Veröffentlichung und mit Sicherheit eine Empfehlung für Menschen, die anspruchsvollere Filme zu schätzen wissen.
  • S. Young
    5,0 sur 5 étoiles Do Not Be Fooled Because It Didn't Get Wide Release!
    Avis laissé aux États-Unis le 11 mars 2012
    Machine Gun Preacher is intense and it will haunt you. Gerard Butler is nothing short of phenomenal. For the first time since I became aware of him, I stopped seeing Gerard Butler, despite the fact that I know what Sam Childers looks like. He just became the character.

    The movie depicts violence with unflinching candor. It weighs the good religion can do against the bad that men can do and leaves the final judgment to viewers (and gives them credit for their intelligence and ability to do so.) And because I've been following all of this so closely, by the time the pics of the real Sam, (along with Lynn, Paige, Deng and the kids) came up with the credits, it felt like I was seeing a friend. I love the way the camera pulls up and away for the parting shot, leaving Sam standing amid the children on the desolate African plain until he ultimately becomes a speck on the landscape. It reminds us to keep the big picture in mind.

    The first time I saw it, despite the fact that I was looking forward to it so much that I had purchased my ticket a full month ahead of time, my head was swirling with all of the negativity that I'd been reading in the week or so before it was released in Boston. Whenever there was a scene I'd read something about, all I could do was compare what I'd read to what I was seeing. It distracted me from fully experiencing the movie, not to mention left me wondering where the derision was coming from.

    The second time I was able to just let it wash over me so that I could absorb it. I think it affected me even more that time, despite the fact that I knew what was coming. It's not something one (or at least I ) can shake off easily.

    Without taking every dismissive remark I've read one by one or line by line, let me just tell you what I thought. I love the look of the film. It's got this grainy 70s quality to it that at times, coupled with the hand-held camera work, makes it seem almost like a documentary (more on that later) or a home movie. (There is one shot that I am completely enamored of, that comes about 2/3 in. It's a scene in Sam's church, after he's gone around the bend and there is a combined camera/sound effect that reflects the tension and the chaos inside of the man.)

    The film opens with a scene of incomprehensible brutality and then quickly cuts to the seemingly more mundane life of a reprobate getting out of prison. Even as we bear witness to the brutal thug that is Sam Childers as he interacts with his family and wastes his life in a drug-fueled haze, the specter of that other scene hangs over everything and we wonder where and how the two will intersect.

    Sam's life very quickly (in movie time) spirals downward to rock bottom.The majority of reviews I've read can't, or won't, even keep the timeline straight. Sam did not find religion and start his church. He found religion, a number of years passed and he went to Africa on a service mission and when he came back from his first trip he made plans to build a church and build his orphanage.

    It needed to happen quickly. Did we really need to watch Sam shoot up in the bathroom of a biker bar more than once to understand who and what he is? By the time the catalytic encounter with the drifter occurs, we understand how bad he is. It is a testament to Sam Childers that he has the strength to reach out to his wife at that point and a testament to Gerard Butler's abilities as an actor that we feel his pain.
    We also feel his confusion and trepidation as he sits in church, debating whether or not he's worthy of baptism and accepting Jesus into his life as his savior. The phrase "nervous as a whore in church" came immediately to mind.

    Time passes and it becomes evident that Sam has turned his life around and has devoted himself to making a better one for his family. Whether or not this is because of God is almost irrelevant. It is certainly because he's kicked his drug habit and changed his ways. Anything that helped him with that is a good thing, no matter what you believe. Sam believes it was God. He also believes that God wants him to help others and he starts with his best friend Donnie. (Much has been made over the fact that "Donnie" is not an actual person. Let's not forget that it is a movie. Some things are embellished for dramatic effect, time is compressed, real people become composites.I think there's a lot of Sam and Lynn's unseen son in Donnie- a brilliant Michael Shannon-, who suffered a similar fate.) If you're watching a movie about the 100 Years War, it's not made in real time. Sam Childers is painted in broad strokes because otherwise it would have been a six hour movie.The quest to build the orphanage threatens to consume him. He neglects his own family, including daughter Paige (Madeline Carroll. It is to her credit that she manages to deliver the film's most predictable and ridiculous line with enough real emotion and depth of feeling that we buy it), and remains as difficult and self-destructive as he ever was. I don't think it was ever his intention for the African part of his life to overshadow his life at home. When he returned from that first missionary trip, he had enough energy and zeal for both.

    With the orphanage, and his desire to save "those kids", Sam now has a new focus, or a new addiction. He believes he's found his purpose and he pursues it with blinders on. He's "made it {his} struggle...{He's} the one that's gonna do it." As Butler has said when describing the character he plays, "It's about a man who fought his demons, but never banished them entirely." It's easy to see why Sam latched on to those kids the way he did, aside from the fact that he has an addictive personality (much like the actor who plays him. And make no mistake, anyone who becomes an addict has an addictive personality, whether it's cigarettes, alcohol, drugs or sex. Addiction isn't about the thing that the addict is addicted to; it's about the high that the addict achieves from the addiction that hides or suppresses deeper issues. It fills a void.)

    In truth, I think that there is probably another movie that was left on the cutting room floor and a lot of the problems that a lot of people had with the film could be fixed with better editing. There were some aspects that I would have liked to have seen more fleshed out, such as Lynn's struggle back home. We're asked to take her acceptance of Sam and his mission on as much faith as she apparently was. The scene with the phone call where Lynn is in the pristine grocery store at home while Sam wanders amid the chaos of a Sudanese town, after the LRA has burned down his newly built orphanage, says a lot about their relationship. Presumably Lynn hasn't been to Africa yet, she has no real idea of the conditions there or what Sam is actually going through, but she knows he needs it, needs to be there and needs to rebuild as much as the children do. That makes her fears and her despair for what it eventually does to him all the more poignant.

    It's tempting to say that some of the scenes in Africa could have been tightened up or ask if we needed that many to understand the struggle. Ultimately I have to say, yes we did. Every one of them propels Sam along his road.

    But I also feel that the majority of the people that didn't like the movie are all sounding like broken records. They are like a rock skipping over the surface of a lake (to REALLY mix my metaphors) refusing to go deeper and refusing to see what's really there. They all read like they made up their minds before they saw the thing. Even the responses to the review on the NY Times website called out the critic for trying to pigeon-hole the film (as well as trying to be clever) by reviewing it based on their expectations as opposed to what's on the screen*.

    One of the movie's greatest strengths in my eyes is what is being called a weakness by many others and that's that it does not take you by the hand and lead you to conclusions. It lets you make up your own mind.

    Any critic's opinion is still only their opinion and everyone is entitled to their own. The problem is that there are a lot of people who read these opinions and then their minds are already shaped before they've seen the film.

    I don't think that I'm giving anything away when I tell you that there are a couple of lines in the film that, to me, sum up Sam's arc, at least in terms of the movie. Deng asks him what he's "looking for in this place". At the time, Sam either doesn't know or isn't able to articulate what we as an audience can guess, but Sam answers "I ain't lookin' for nothin'." Later, after he's opened himself up to his purpose, he tells William, probably because he thinks William doesn't speak English, "I'm scared that one day I'll close my eyes to all a' this and let it be someone else's problem".

    William, by the way, played by Junior Magale, is just the most beautiful little boy with the most expressive eyes. His awe of "the white preacher" is writ large on his face, which makes his discovery that he can be of help to this man, that he is needed, so powerful. After four viewings, I still sob at their ultimate scene together.

    Gerard Butler plays Sam as complicated as well as courageous. He's forceful and maybe even a little crazy. Butler is in virtually every scene and there is always something interesting going on. We have only to watch his face or look into his eyes to know where he is at any given moment. He takes Sam from humility to protectiveness to raging, out of control hostility and borderline psychosis and back again. This is Butler's movie all the way. If you don't buy his performance, you don't buy the movie.

    I have to say, I love the score for the film as well. I was already a fan of Asche & Spencer and their soundtracks for two other Forster films, Monster's Ball and Stay. The music for Machine Gun Preacher is, for the most part spare and lean, acting as a thread that weaves in and out of the narrative without being intrusive (just as a good score should do), but it's also got some memorable themes and when it swells during the final shot, it moves me to the point that I have to remember to breathe.

    There is a documentary in the final stages of post production on the life of Sam Childers. While many have suggested that that format would have better suited the life story of so complex a character, the irony is that without this film and the publicity generated by it, the documentary probably would not have the chance to be seen by anything resembling a wide audience.
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